Saturday, February 27, 2010

RONI HORN aka RONI HORN @ ICA Boston



February 19 to June 13, 2010

“Experiencing Roni Horn’s art against the dramatic backdrop of the ICA—where light, weather and water are continuously in flux—crystallizes some of her key themes of change, perception and memory,” says Jill Medvedow, Director of the ICA. “Her work invites close observation and viewers are all the richer for the beauty and pleasure Horn’s art reveals.”
“In Horn’s work, nothing is quite as first appears,” says Hopkins. “A sculpture that appeared solid can look liquid when approached from a different angle, while a pair of gold mats can appear to glow when the sun lights up the space between them. For Roni Horn, the experience of looking at an object and perceiving these changes is as meaningful as the object itself.”
Many of Horn’s works are presented as pairs or series, which on close observation reveal subtle differences between their parts. You are the Weather (1994–5), for example, is an installation that creates a horizon-line of 94 close-up photographs of a woman immersed in hot springs in Iceland—a place whose unique landscape, geology and climate have been an inspiration for the artist since the 1970s. The viewer notices small, indeterminate changes in the woman’s expression. Is she happy? Is she sad? Or is it the effect of the hot temperature on her skin? We don’t know. The 'You' in Horn's title addresses the viewer, who might wonder if they are causing the shifts in the woman's expressions.

Monday, February 22, 2010

Visiting guest artist EIRIK JOHNSON

The Art Institute of Boston
February 23, 2010
1pm

Eirik Johnson, Confluence of the Rogue and Illinois Rivers, Oregon
Eirik Johnson
Confluence of the Rogue and Illinois Rivers, Oregon
2006


Eirik Johnson, Starlite Drive-In, Roseburg, Oregon
Eirik Johnson
Starlite Drive-In, Roseburg, Oregon
2006


All of my photographic work deals with strange and momentary scenes within makeshift landscapes. Whether it is following the journey of pilgrims in the high Andes of Peru, walking alleys and sidewalks of the West Oakland neighborhood, spelunking down a subterranean urban river, or noticing the burrowing of rabbits in a landfill, I am curious to see how the relationship between human and natural interaction can create improvised environments. There is a temporal and fleeting nature to these environments, sometimes hinting at the sublime. - Eirik Johnson

Eirik Johnson is a photographer currently based in Boston, MA. His work has been exhibited at spaces including the Museum of Contemporary Photography in Chicago, the George Eastman House in Rochester, and the Aperture Foundation in New York. He has received several awards including the Santa Fe Prize in 2005 and a William J. Fulbright Grant to Peru in 1999-2000. His work is in the permanent collections of institutions including the Museum of Contemporary Photography, the National Fulbright Foundation, and the Joseph and Elaine Monsen Collection. His first monograph, BORDERLANDS, was published by Twin Palms Publishers in 2005. Eirik Johnson is represented by Yossi Milo Gallery in New York, Rena Bransten Gallery in San Francisco and G. Gibson Gallery in Seattle, WA. Johnson is an assistant professor of photography at Massachusetts College of Art.

For more information visit his website.

Saturday, February 20, 2010

Revising the Guggenheim

TAKE THIS MUSEUM AND SHAPE IT
CONTEMPLATING THE VOID
By Roberta Smith for the New York Times


The show features works, like this one from Saunders Architecture,
that re-imagine the Solomon R. Guggenheim Museum.

Ted Loos writes: "Contemplating the Void: Interventions in the Guggenheim Museum," which opened Friday, features 193 schemes for Frank Lloyd Wright’s famous Fifth Avenue rotunda, that corkscrew structure that has delighted many (and also maddened quite a few) since it was built in 1959.

The exhibition is part of the museum’s continuing 50th anniversary celebration, and most of the designs will be auctioned off at an event in March, with proceeds going to future programming."

200 artists world-wide were invited to submit proposals.

Below, Anish Kapoor's proposed "smoke event."

Watch slide show here.

Boston Combat Zone @ Yezerski

Howard Yezerski Gallery
February 12 to March 16, 2010



Deriving its name, Combat Zone, from the brawling sailors and soldiers that frequented the number of movie theaters, bars, restaurants and lounges during the 1950's and 1960's. It was largely an unrestricted public sphere teeming with all kinds of activity and human behavior legal and otherwise. By the 1970's, an unprecedented social and cultural transformation had taken place. Many theaters began to screen adult movies and strip clubs such as "Teddy Bare Lounge", the "Naked Eye", and the "Two O'clock Club" along with the burlesque house, "The Pilgrim Theatre", grew in popularity. These establishments have since been demolished, their demise attributed to a number of socio-political and economic factors that have changed the urban landscape of Boston.
The works of Angier, Berndt and Goodman depict the Combat Zone during the pinnacle of its transformation, and provides a view into the complex world of adult entertainment, still today a lightning rod for cultural conflict in American society. Jerry Berndt and John Goodman photographed the provocative and at times, arresting energy of the streets as well as the personas that inhabited them. Roswell Angier provides an intimate perspective of the nightclubs and their performers. These three photographers created a unique portrait of a time and place as they captured the energy of the street, the clubs, and the general mayhem of the night that was the Combat Zone.(press release excerpt)

LISTEN TO JOHN GOODMAN AND HOWARD YEZERSKI TALK ON WBUR

Who's Afraid of New Media @ MFA Boston

10:30 am — 4 pm
Sunday, February 21, 2010
Remis Auditorium

Who’s Afraid of New Media?

Daylong seminar exploring the world of new media, examining the phrase “new media,” its historic meaning, how it is practiced, and the art it references today.

George Fifield, independent curator and founding director, Boston Cyberarts Festival; Georgie Friedman, artist; Wendy Richmond, visual artist, author; Michael and Ann Spalter, collectors; Mark Tribe, author, artist, assistant professor, Modern Culture and Media Studies, Brown University.

Wednesday, February 17, 2010

Alfredo Jaar lecture @ MFA Boston

Deborah and Martin Hale Visiting Artists Lecture
Alfredo Jaar: It Is Difficult

Remis Auditorium
Wednesday, February 17, 2010
7 — 8 pm

Celebrated artist, architect, and filmmaker Alfredo Jaar confronts in his work issues of displacement, globalization, and violence. Known for his public interventions and installation works, Jaar speaks on recent projects around the world.

http://www.nyfa.org/images_uploaded/jaar.jpg
The Eyes of Gutete Emerita, 1996
From the series The Rwanda Project 1994-2000
Copyright Alfredo Jaar


http://www.episcopalcafe.com/art/jaar_500.jpg
The Eyes of Gutete Emerita, 1996
From the series The Rwanda Project 1994-2000
Copyright Alfredo Jaar


1995_742instillation.jpg
Caritas, Real Pictures, 1995
Copyright Alfredo Jaar


Alfredo Jaar was born in Santiago, Chile in 1956. He attended Instituto Chileno-Norteamericano de Cultura, Santiago (1979) and Universidad de Chile, Santiago (1981). In installations, photographs, film, and community-based projects, Jaar explores the public’s desensitization to images and the limitations of art to represent events such as genocides, epidemics, and famines. Jaar’s work bears witness to military conflicts, political corruption, and imbalances of power between industrialized and developing nations. Subjects addressed in his work include the holocaust in Rwanda, gold mining in Brazil, toxic pollution in Nigeria, and issues related to the border between Mexico and the United States. Many of Jaar’s works are extended meditations or elegies, including “Muxima” (2006)—a video that portrays and contrasts the oil economy and extreme poverty of Angola—and “The Gramsci Trilogy” (2004-05)—a series of installations dedicated to the Italian philosopher Antonio Gramsci, who was imprisoned under Mussolini’s Fascist regime.
Jaar has received many awards, including a John D. and Catherine T. MacArthur Foundation Award (2000); a Louis Comfort Tiffany Foundation Award (1987); and fellowships from the National Endowment for the Arts (1987); and the John Simon Guggenheim Memorial Foundation (1985). He has had major exhibitions at the Museum of Fine Arts, Houston (2005); Museo d’Arte Contemporanea, Rome (2005); MIT List Visual Arts Center, Cambridge, Massachusetts (1999); and the Museum of Contemporary Art, Chicago (1992). Jaar emigrated from Chile in 1981, at the height of Pinochet’s military dictatorship. His exhibition at Fundación Telefonica Chile, Santiago (2006) is his first in his native country in twenty-five years. Jaar lives and works in New York.
(bio taken from art: 21)

Sunday, February 14, 2010

Visiting artist BARBARA BOSWORTH

The Art Institute of Boston
February 16, 2010
1pm

http://www.massart.edu/Images/www.massart.edu/continuing_education/profiles/Carlisle%202004.jpg
Carlisle, MA 2008
Copyright Barbara Bosworth


Born in Novelty, Ohio in 1953, Barbara Bosworth recounts the deep forest surrounding her family’s home as the earliest influence on her photography. Working like a naturalist, collecting specimens of flora and fauna, tracing mountains and rivers, Bosworth takes careful measure of the world with her lens. Rather than a simple accumulation of facts, however, her photographs describe a world richer than the sum of its parts. Bosworth seeks the fluid, transient aspects of the landscape that are less easily categorized, carefully unfolding a personal and spiritual connection to the world around us. Photographing exclusively with a large-format view camera, Bosworth speaks with a singular passion and sentiment for the American landscape.

"Barbara Bosworth's photographs are graced with an uncommon elegance and intimacy," "The expansive sweep and clarity of her prints open the landscape before us with a deceptive agility, but it is in their richness of experience and sensation that they are so compelling."

-- Toby Jurovics, Princeton University Art Museum

Bosworth received her MFA at Rochester Institute of Technology. Her work has been exhibited at Cleveland Art Museum, O'Sullivan Art Center, Regis College, Princeton Art Museum, Huntington Gallery, Boston, Nevada Museum of Art, Reno, Nassauischer Kuntstverein, Wiesbaden Germany, Candace Perich Gallery, Addison Gallery of American Art, among others. She is the recipient of the Buhl Foundation Grant, a John Simon Guggehheim Foundation Fellowship, a New England Foundation for the Arts Fellowship, a Bernheim Foundation Fellowship, and a Friends of Photography Ruttenberg Fellowship.

Post Minimal to the Max | New York Times

By Robertha Smith


Edel Rodriquez for the New York Times

Thursday, February 11, 2010

Kiki Smith @ Brooklyn Museum

KIKI SMITH Sojourn
Brooklyn Museum

February 12 to September 12, 2010

PHOTOGRAPH: MARTINE FOUGERON
Kiki Smith and her piece Singer (detail), 2008
Photograph: Martine Fougeron (New Yorker)

In Sojourn, Smith, who is known for a psychologically acute, non-narrative approach to constructing installations, begins from the position of the adult female artist and cycles through a series of experiences and artistic genres that venture far beyond the autobiographical. Religion, mythology, and spirituality surface repeatedly throughout Smith’s work, and in this installation, the Annunciation is used as a metaphor for identifying the unknown and unexpected sources female artists draw upon for inspiration. Sojourn presents a variety of work by the artist in a range of media, including unique sculpture, cast objects, collage, drawing, and photography. To extend the conceptual relationships she will develop in the Sackler Center galleries, Smith will also incorporate two eighteenth-century period rooms in the Museum’s nearby Decorative Arts galleries into her project. (press release excerpt)

Monday, February 8, 2010

KRZYSZTOF WODICZKO @ ICA



"...OUT OF HERE: The Veterans Project," installation view, 2009. Courtesy of the artist and Galerie Lelong, New York. Photo: John Kennard.

For three decades, Polish artist Krzysztof Wodiczko has addressed timely political, social, and psychological issues in his artwork, creating over 80 large-scale public projections around the world. In these works, he transforms the stories, voices, and gestures of ordinary people in extraordinary circumstances by projecting them onto public monuments and landmarks.

In a new, projection-based work for the ICA, Wodiczko focuses on veterans engaged in active combat in Iraq, as well as Iraqi civilians. In ...OUT OF HERE: The Veterans Project, the routine sounds of life are interrupted by the noise of destruction and chaos as Wodiczko’s narrative unfolds across three walls of the gallery. (read more of press release...)


"Art in the Twenty-First Century," production still
Krzysztof Wodiczko
"Art in the Twenty-First Century," production still
2005 | Season 3. Episode: "Power"

Art21, Inc. 2005

Gallery Exhibition













Here are two different examples of how you can do your ideal gallery exhibition layout. For my exhibition, I decided to design my own space for my work. Tara did her's differently by selecting a museum that she felt would work really well with her aesthetic.


Monday, February 1, 2010

Ben Sloat Lecture @ AIB

Conversation with AIB photography faculty member Ben Sloat
Tuesday, February 2nd @ 1pm in room 215

Ben will discuss his recent Fulbright Scholar grant for a seven month photo research project in Taiwan.

"[Ben's] current work examines the cultural and ecological richness of rural areas, and how these areas confront such issues as development, modernity, and a changing cultural fabric." - Yellow in August press release




Photograph Ben Sloat, Taiwan 2009

Ben Sloat received a BA from the University of California, Berkeley (’99) and a MFA from the Museum School/Tufts University (’05). Recent exhibitions include solo shows at the Front Gallery in Oakland, CA and Safe-T Gallery in Brooklyn NY - group shows at the Museum of Fine Arts, Boston, and Gallery 1600 in Atlanta, GA. His photographic work has been reviewed in The New York Times, Oakland Tribune, and the Boston Globe, and he has guest lectured at UC Berkeley, RISD, UC Santa Cruz, UMass Boston, Boston University, and SCAD. Having taught at Tufts University, Mass Art, and the SMFA, he currently teaches photography, digital media, and photo history at the Art Institute of Boston.
He is represented by OH+T Gallery in Boston.